Conocimiento estético y conocimiento de sí en Schopenhauer: ¿hasta qué punto es posible trazar una analogía entre ambos?

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12/2015
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Universidad de Málaga
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Metafísica y Persona
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1989-4996
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No es una novedad el hecho de que Schopenhauer trazó profundas conexiones entre el dominio ético y el estético. Este aspecto no ha pasado desapercibido para sus comentaristas contemporáneos. Sin embargo, se ha fallado en advertir una conexión particular: la que une su teoría estética con su concepción del carácter adquirido. Robert Wicks posee el mérito de haber reparado en ello. Por esta razón, y tomando como punto de partida la interpretación de este autor, se intentará reflexionar aquí sobre la mentada conexión. Dicha interpretación, con todo, es problemática y está sujeta a crítica. El objetivo de este trabajo es explicitar tales críticas y evaluar, finalmente, la plausibilidad de la propuesta de Wicks.
It is not at all a novelty the fact that Schopenhauer has traced deep connections between both the ethical and the aesthetical realm. This particular aspect has not been overlooked by his contemporary scholars. Nevertheless, they failed to see a special connection: the one that allows linking Schopenhauer´s aesthetic theory with his doctrine of the acquired character. Robert Wicks possesses the merit of having drawn attention on that. In this paper I will attempt accordingly to focus on the connection between character and aesthetics, taking into consideration Robert Wicks’ interpretation. Nevertheless, the latter is problematic and is then subject to some criticisms. The aim of this paper is to make explicit these criticisms in order to assess, at the end, the plausibility of Wicks’ understanding of this topic.
It is not at all a novelty the fact that Schopenhauer has traced deep connections between both the ethical and the aesthetical realm. This particular aspect has not been overlooked by his contemporary scholars. Nevertheless, they failed to see a special connection: the one that allows linking Schopenhauer´s aesthetic theory with his doctrine of the acquired character. Robert Wicks possesses the merit of having drawn attention on that. In this paper I will attempt accordingly to focus on the connection between character and aesthetics, taking into consideration Robert Wicks’ interpretation. Nevertheless, the latter is problematic and is then subject to some criticisms. The aim of this paper is to make explicit these criticisms in order to assess, at the end, the plausibility of Wicks’ understanding of this topic.
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