Theatrum criminológicum. Kafka, Park y los avatares del control social

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04/2018
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Instituto Tecnológico Autónomo de México
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1405-0218
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Se suele plantear que a comienzos del siglo XX las investigaciones acerca del control social abandonan la prisión como tema central para pensar el problema del orden a partir de la ciudad. Sin embargo, poco se ha dicho de la conexión, a veces subterránea, que ello guarda con la obra de Franz Kafka. Consideramos posible rastrear en la literatura del autor checo el proceso por el cual la ciudad va convirtiéndose en un eje en el cual se desarrollan un sinnúmero de sucesos, justamente cuando en la Escuela de Chicago comenzaban a elaborarse las bases para una teoría ecológica de la organización social.
It is often suggested that, at the beginning of the 20th century, investigations about social control abandon the prison as the central theme, to start thinking about the problem of order taking the city as point of departure. Little has been said, however, about the connection, sometimes underground, that exists between these investigations and the work of Franz Kafka. We consider it possible to retrieve, in the literature of the Czech author, the process by which the city becomes an axis in which countless events unfold, at the very moment the Chicago School was putting the grounds of an ecological theory of social organization.
It is often suggested that, at the beginning of the 20th century, investigations about social control abandon the prison as the central theme, to start thinking about the problem of order taking the city as point of departure. Little has been said, however, about the connection, sometimes underground, that exists between these investigations and the work of Franz Kafka. We consider it possible to retrieve, in the literature of the Czech author, the process by which the city becomes an axis in which countless events unfold, at the very moment the Chicago School was putting the grounds of an ecological theory of social organization.
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