Why I cannot dance the Tango: Reflections of an incompetent member of the ''milongas porteñas''

Abstract

The purpose of this paper is to discuss the idea that members are fully competent at what they do. With that aim, I start with a Schutzian and Ethnomethodological account of what it is like to be a member of the tango scene in the dance halls of Buenos Aires. I specify different degrees and kinds of competences. On the one hand, there are fully competent members (sanctioned dancers) and incompetent members (the “beginners”3 ). The incompetent members are the vast majority in comparison to the few fully competent ones. On the other hand, there are technically competent members and socially competent ones. Technical competence is very hard to acquire, thus it is very rare. Social competences, instead, are accessible to all members. These different ways of being a member are heterogeneous and indicate a significant diversity of competences and skills. I conclude that not all members are alike and that each one is challenged in a particular way.