Vilém Flusser, escritor-pensador. Modos de la escritura en El universo de las imagines técnicas

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Fecha
03/2018
Editorial
Università della Svizzera italiana
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Flusser Studies
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1661-5719
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Este artículo es parte de una investigación más amplia sobre tres "escritores-pensadores": Giorgio Agamben (Roma, 1942), Héctor Libertella (Bahía Blanca, 1945 - Buenos Aires, 2006) y Vilém Flusser (Praga, 1920 - 1991). Como "escritor-pensador", Vilém Flusser propone que estas nociones son reversibles, de la misma manera que afirmó que "activo" y "pasivo" ya no eran diferenciables. Sus ensayos se basan en una fuerte reflexión sobre el lenguaje, que se realiza a través del proceso de escritura. En muchos sentidos, usa la escritura para pensar y el pensamiento para escribir. Este artículo explora más a fondo su uso de la etimología, definiciones, series, así como la naturaleza de la escritura y la ficción, para escribir y pensar.
This article is part of a larger investigation about three “writer-thinkers”: Giorgio Agamben (Rome, 1942), Héctor Libertella (Bahía Blanca, 1945 – Buenos Aires, 2006), and Vilém Flusser (Praga, 1920 - 1991). As a “writer-thinker” Vilém Flusser proposes that these notions are reversible, in the same way that he stated that “active” and “passive” were no longer differentiable. His essays are based upon a strong reflection on language, which is made through the process of writing. In many ways, he uses writing to think, and thinking to write. This paper further explores his use of etymology, definitions, series, as well as the nature of writing and fiction, in order to write and think.
This article is part of a larger investigation about three “writer-thinkers”: Giorgio Agamben (Rome, 1942), Héctor Libertella (Bahía Blanca, 1945 – Buenos Aires, 2006), and Vilém Flusser (Praga, 1920 - 1991). As a “writer-thinker” Vilém Flusser proposes that these notions are reversible, in the same way that he stated that “active” and “passive” were no longer differentiable. His essays are based upon a strong reflection on language, which is made through the process of writing. In many ways, he uses writing to think, and thinking to write. This paper further explores his use of etymology, definitions, series, as well as the nature of writing and fiction, in order to write and think.
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