Subverting precariousness: Work, history, and aesthetics in contemporary dance in buenos aires

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dc.conicet.fuenteindividual
dc.conicet.organizacionUniversidad Nacional de San Martín. Instituto de Altos Estudios Sociales
dc.conicet.organizacionConsejo Nacional de Investigaciones Científicas y Técnicas
dc.conicet.paisOrganizacionArgentina
dc.conicet.paisOrganizacionArgentina
dc.conicet.produccionid8978929
dc.contributor.authorVallejos, Juan Ignacio
dc.date.accessioned2021-02-10T02:41:38Z
dc.date.available2021-02-10T02:41:38Z
dc.date.issued2019-04-23
dc.date.updated2021-01-27T19:13:27Z
dc.description.abstractThis article analyzes three artistic acts of the subversion of precariousness in the contemporary dance community in Buenos Aires. It explores the participation of dancers in political groups that demand improvement of their working conditions. It examines how Marina Sarmiento's investigation of dance history stages a precarious body as an archive that deals with aesthetic colonialism. And lastly, it discusses the emergence of an aesthetics of precariousness in Fabian Gandini's work, which brings artistic ethics to the fore. The argument proposed in this article asserts that working conditions, history, and aesthetics represent three dimensions of contemporary dance practice that operate simultaneously and determine the precariousness in the Argentinian dance community.es
dc.description.filFil: Vallejos, Juan Ignacio. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
dc.formatapplication/pdfes
dc.identifier.citationVallejos, Juan Ignacio; Subverting precariousness: Work, history, and aesthetics in contemporary dance in buenos aires; Cambridge University Press; Dance Research Journal; 51; 1; 23-4-2019; 32-46es
dc.identifier.eissn1940-509Xes
dc.identifier.institucionalCONICET
dc.identifier.issn0149-7677es
dc.identifier.repoCONICET Digital
dc.identifier.urihttp://hdl.handle.net/11336/125252
dc.journal.ciudadCambridgees
dc.journal.number1es
dc.journal.pagination32-46es
dc.journal.paisReino Unidoes
dc.journal.titleDance Research Journales
dc.journal.volume51es
dc.language.isoenges
dc.publisherCambridge University Presses
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.1017/S0149767719000032
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/url/https://www.cambridge.org/core/journals/dance-research-journal/article/abs/subverting-precariousness-work-history-and-aesthetics-in-contemporary-dance-in-buenos-aires/D5CF03560C5B3CFB72CFC6A33672331F
dc.rightsinfo:eu-repo/semantics/restrictedAccess*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/*
dc.subjectAESTHETIC COLONIALISMes
dc.subjectARGENTINIAN CONTEMPORARY DANCEes
dc.subjectART AND FETISHes
dc.subjectBODY AS ARCHIVEes
dc.subjectDANCE AND POLITICSes
dc.subjectDANCE AND WORKes
dc.subjectDANCE HISTORYes
dc.subjectDANCE STUDIESes
dc.subjectPERFORMANCE AND POLITICSes
dc.subject.classificationArtes escénicases
dc.subject.classificationArtees
dc.subject.classificationHUMANIDADESes
dc.subject.classificationOtras Filosofía, Étnica y Religiónes
dc.subject.classificationFilosofía, Ética y Religiónes
dc.subject.classificationHUMANIDADESes
dc.subject.classificationTópicos Socialeses
dc.subject.classificationSociologíaes
dc.subject.classificationCIENCIAS SOCIALESes
dc.titleSubverting precariousness: Work, history, and aesthetics in contemporary dance in buenos aireses
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion

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