Yanantin performático: subjetividades activas y posibilidades de movimiento en la región andina

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12/2025
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Universidad Nacional de Mar del Plata. Facultad de Humanidades
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Cuarenta Naipes
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2718-6571
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Realizamos una lectura de dos archivos de irrupciones de activistas disidentes sexualesen el mundo andino contemporáneo, a partir de las aproximaciones teóricas de losfeminismos decoloniales. Retomamos, por un lado, la intervención de GiuseppeCampuzano en Perú y, por otro, la de Lorena Carpanchay en Argentina. En particular,analizamos cómo las opresiones múltiples (Lugones, 2012) restringen las posibilidadesde aparición de sujetos que no responden a las normas heterosexualizantes nihomoeróticas. Aunque existe una distancia temporal y espacial entre ambas apariciones,es posible trazar entre ellas una relación de complementariedad o yanantin performático.El gesto de poner el cuerpo en una performance y trasladarlo al centro del espacio públicoproduce una situación de desocultamiento: aquello que antes se encontraba en el ladooscuro o invisible pasa al ámbito claro o visible (Lugones, 2014). De esta manera, sealtera el orden dominante fundado en una concepción heteropatriarcal, ya que el cuerpotravesti-trans deja de habitar los márgenes.
We examine two archives that document the irruptions of queer and dissident activists in the contemporary Andean world, drawing on the theoretical insights of decolonial feminisms. Our analysis focuses, on the one hand, on Giuseppe Campuzano’s intervention in Peru and, on the other, on Lorena Carpanchay’s in Argentina. In particular, we explore how multiple oppression (Lugones, 2012) constrain the emergence of subjects who resist both heteronormative and homoerotic regulatory frameworks. Although these appearances are separated by time and geography, we suggest that a relation of performative complementarity—or yanantin—can be traced between them. The act of placing one’s body within a performance and moving it to the center of public space produces a moment of unveiling: what was once located in the dark or hidden side becomes part of the visible/sphere (Lugones, 2014). In doing so, the dominant heteropatriarchal order is unsettled, as the travesti-trans body ceases to occupy the margins.
We examine two archives that document the irruptions of queer and dissident activists in the contemporary Andean world, drawing on the theoretical insights of decolonial feminisms. Our analysis focuses, on the one hand, on Giuseppe Campuzano’s intervention in Peru and, on the other, on Lorena Carpanchay’s in Argentina. In particular, we explore how multiple oppression (Lugones, 2012) constrain the emergence of subjects who resist both heteronormative and homoerotic regulatory frameworks. Although these appearances are separated by time and geography, we suggest that a relation of performative complementarity—or yanantin—can be traced between them. The act of placing one’s body within a performance and moving it to the center of public space produces a moment of unveiling: what was once located in the dark or hidden side becomes part of the visible/sphere (Lugones, 2014). In doing so, the dominant heteropatriarchal order is unsettled, as the travesti-trans body ceases to occupy the margins.
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