El peso de las monedas en la poesía de Fernanda Laguna y Arturo Carrera

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Fecha
06/2021
Editorial
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
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Caracol
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2178-1702
eISSN
2317-9651
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Español
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Resumen
A partir de la lectura de algunos poemas de Control o no control (2012) de Fernanda Laguna y de otros poemas de Potlatch (2004) de Arturo Carrera, ambos poetas argentinos con rasgos y recorridos de escritura diferentes, nos pondremos a pensar las siguientes preguntas en común: a) cómo se vincula la poesía nacional con el contexto de urgencia económica, política y cultural de los años dos mil; b) qué estrategias y teorías se despliegan adentro de sus textos para hacer ver las conflictivas relaciones entre poesía y dinero en un escenario nacional en el que los avances del neoliberalismo amenazan todo el tiempo con invisibilizarlas; c) si, con estos modos de visibilizar las relaciones entre poesía y dinero, no emerge desde adentro de la poesía de estos autores un sentido de lo político que amplía el modo de leer lo político en la poesía nacional.
From the reading of some Control or non-control poems (2012) by Fernanda Laguna and other Potlatch poems (2004) by Arturo Carrera, both Argentine poets with different traits and writing paths, we will think about the following questions in common: a) how national poetry is linked to the context of economic, political and cultural urgency of the two thousand years; b) what strategies and theories are deployed within their texts to show the conflictive relationships between poetry and money in a national setting in which the advances of neoliberalism threaten to make them invisible all the time; c) if with these ways of making the relationships between poetry and money visible, a sense of the political does not emerge from within the poetry of these authors, which broadens the way of reading the political in national poetry.
From the reading of some Control or non-control poems (2012) by Fernanda Laguna and other Potlatch poems (2004) by Arturo Carrera, both Argentine poets with different traits and writing paths, we will think about the following questions in common: a) how national poetry is linked to the context of economic, political and cultural urgency of the two thousand years; b) what strategies and theories are deployed within their texts to show the conflictive relationships between poetry and money in a national setting in which the advances of neoliberalism threaten to make them invisible all the time; c) if with these ways of making the relationships between poetry and money visible, a sense of the political does not emerge from within the poetry of these authors, which broadens the way of reading the political in national poetry.
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