La historieta en la prensa feminista argentina: Aportes a la construcción de una genealogía feminista (1924-1987)

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Fecha
05/2025
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Universidad de Granada
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Impossibilia
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2174-2464
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El presente artículo tiene como objetivo reconstruir el proceso mediante el cual el movimiento feminista ha adoptado los recursos historietísticos como herramientas de cuestionamiento crítico de la sociedad patriarcal y de los estereotipos convencionales de género. El recorrido propone observar las transformaciones que tuvieron lugar entre 1924 y 1987, recomponer las tramas sociales en las que se insertaron las obras, analizar sus usos y buscar conexiones con los espacios tradicionales de producción cultural. A partir de este análisis, se examina cómo las publicaciones impulsadas por mujeres activistas se han configurado como espacios de visibilización para las artistas, así como plataformas para el desarrollo de una historieta y un humor gráfico con enfoque feminista.
This article aims to reconstruct the process through which the feminist movement has adopted comic resources as tools to critically question patriarchal society and conventional gender stereotypes. This study explores the transformations that took place between 1924 and 1987, in order to recompose the social networks in which the artwork was inserted, to analyse its uses and to look for connections with the traditional spaces of cultural production. Based on this analysis, we look at how publications promoted by women activists have been configured as spaces of visibility for women artists, as well as platforms for the development of comics and graphic humor with a feminist approach.
This article aims to reconstruct the process through which the feminist movement has adopted comic resources as tools to critically question patriarchal society and conventional gender stereotypes. This study explores the transformations that took place between 1924 and 1987, in order to recompose the social networks in which the artwork was inserted, to analyse its uses and to look for connections with the traditional spaces of cultural production. Based on this analysis, we look at how publications promoted by women activists have been configured as spaces of visibility for women artists, as well as platforms for the development of comics and graphic humor with a feminist approach.
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