Las esculturas de Rapa Nui (Isla de Pascua) en el Museo Etnográfico de Buenos Aires
; Igareta, Ana Teresa 
Otros responsables
Fecha
2016
Editorial
Archaeopress
Revista
Título del libro
Arqueología en Rapa Nui (Isla de Pascua): Homenaje a Daniel Schávelzon a los treinta años del Centro de Arqueología Urbana de la Universidad de Buenos Aires
Easter Island Archaeology: A Tribute to Daniel Schávelzon on the 30th anniversary of the Center for Urban Archaeology at the University of Buenos Aires
Easter Island Archaeology: A Tribute to Daniel Schávelzon on the 30th anniversary of the Center for Urban Archaeology at the University of Buenos Aires
Nombre del evento
Fecha del evento
Institución organizadora
ISSN
eISSN
ISBN
978-1-78491-359-5
Idioma
Español
Tipo del evento
Clasificación temática
Palabras clave
Resumen
En el Museo Etnográfico de la Universidad de Buenos Aires existen desde inicios del siglo XX diversas figuras de madera provenientes de la Isla de Pascua, pero por diversos motivos casi ni han sido dadas a conocer. Salvo un par de ellas publicadas el resto ha permanecido guardado, quizás por el peso que José Imbelloni le dio al tema entre 1930 y 1950, lo que produjo un fuerte rechazo a volver a tocar esos problemas connotados de política racista. Es nuestro objetivo el dar a conocer cada figura y describirla para que incrementen el corpus mundial de objetos históricos de los Rapa Nui.
In the Ethnographic Museum of the University of Buenos Aires there since the early twentieth century various wooden figures from Easter Island, but for various reasons hardly they have been disclosed. Except for a couple of them published the rest has been saved, perhaps by the weight Jose Imbelloni gave the topic between 1930 and 1950, which produced a strong rejection to touch those figures, used to justify notorious his racist ideology and archaeological postures on the difusionnist history. It is our aim to publicize each figure and describe it to increase the global corpus of historical objects of the Rapanui.
In the Ethnographic Museum of the University of Buenos Aires there since the early twentieth century various wooden figures from Easter Island, but for various reasons hardly they have been disclosed. Except for a couple of them published the rest has been saved, perhaps by the weight Jose Imbelloni gave the topic between 1930 and 1950, which produced a strong rejection to touch those figures, used to justify notorious his racist ideology and archaeological postures on the difusionnist history. It is our aim to publicize each figure and describe it to increase the global corpus of historical objects of the Rapanui.
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