Los coloquialismos en el Edipo Rey de Sófocles: Presencia y función

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09/2025
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Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades
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2314-291X
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Español
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La lengua coloquial, entendida como aquel registro informal sin connotaciones lingüísticas, sensible al contexto de uso, dependiente del contexto lingüístico pero también de factores extralingüísticos que se activan en el contexto situacional (Cilia, 2009, p. 60), ha sido objeto de interés y de estudio desde la Antigüedad, y ha despertado la curiosidad de los estudiosos modernos. Sobre la base de una revisión de la situación actual del tema, hemos realizado un rastreo de coloquialismos en el Edipo Rey de Sófocles, a partir de las investigaciones de autores como Stevens (1937 y 1945), Wàs (1983), López Eire (2006), Cilia (2006 y 2009) y Collard (2018), de la página web Thesaurus Linguae Latinae y de comentarios estilísticos-filológicos. Posteriormente, hemos clasificado y categorizado estos coloquialismos en cuadros de doble entrada, en donde se consigna qué tipo de coloquialismo es cada uno, en qué parte de la obra sucede, qué personaje lo dice y en qué contexto situacional, información que, además, se encontrará expuesta porcentualmente. Luego, hemos efectuado un análisis de aquellas escenas de las obras en donde mayor cantidad de coloquialismos hay, con el objetivo de establecer cuál podría ser la función que cumplen, y hemos concluido en que los coloquialismos podrían funcionar como enfatizadores de determinados momentos dramáticos, que describimos como particularmente patéticos.
Colloquial language, a informal register without linguistic connotations, sensitive to the context of use, dependent on the linguistic context but also on extra-linguistic factors that are activated in the situational context (Cilia, 2009, p. 60), has been the object of interest and study since Antiquity, and has aroused the curiosity of modern scholars. On the basis of a review of the current status of the subject, we have tracked colloquialisms in Sophocles’ Oedipus Rex, drawing on the research of authors such as Stevens (1937 and 1945), Wàs (1983), López Eire (2006), Cilia (2006, 2009) and Collard (2018), the Thesaurus Linguae Latinae website and stylistic-philological commentaries. Subsequently, we have classified and categorised these colloquialisms in double-entry tables, in which it is stated what type of colloquialism each one is, in which part of the drama it occurs, which character says it and in which situational context, information which, in addition, will be displayed as a percentage. Then, we have carried out an analysis of those scenes of the plays in which there is a greater number of colloquialisms, with the aim of establishing which could be the function they fulfil, and we have concluded that colloquialisms could function as emphasisers of certain dramatic moments, which we describe as particularly pathetic.
Colloquial language, a informal register without linguistic connotations, sensitive to the context of use, dependent on the linguistic context but also on extra-linguistic factors that are activated in the situational context (Cilia, 2009, p. 60), has been the object of interest and study since Antiquity, and has aroused the curiosity of modern scholars. On the basis of a review of the current status of the subject, we have tracked colloquialisms in Sophocles’ Oedipus Rex, drawing on the research of authors such as Stevens (1937 and 1945), Wàs (1983), López Eire (2006), Cilia (2006, 2009) and Collard (2018), the Thesaurus Linguae Latinae website and stylistic-philological commentaries. Subsequently, we have classified and categorised these colloquialisms in double-entry tables, in which it is stated what type of colloquialism each one is, in which part of the drama it occurs, which character says it and in which situational context, information which, in addition, will be displayed as a percentage. Then, we have carried out an analysis of those scenes of the plays in which there is a greater number of colloquialisms, with the aim of establishing which could be the function they fulfil, and we have concluded that colloquialisms could function as emphasisers of certain dramatic moments, which we describe as particularly pathetic.
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