Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain)

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dc.conicet.fuenteindividual
dc.conicet.organizacionUniversidad de Barcelona
dc.conicet.organizacionConsejo Nacional de Investigaciones CientĆ­ficas y TĆ©cnicas
dc.conicet.organizacionUniversitat Rovira I Virgili
dc.conicet.paisOrganizacionEspaƱa
dc.conicet.paisOrganizacionArgentina
dc.conicet.paisOrganizacionEspaƱa
dc.conicet.produccionid11431007
dc.contributor.authorSantos da Rosa, Neemias
dc.contributor.authorFiore, Danae
dc.contributor.authorViƱas, Ramon
dc.date.accessioned2023-12-11T12:29:28Z
dc.date.available2023-12-11T12:29:28Z
dc.date.issued2023-02
dc.date.updated2023-12-07T14:13:32Z
dc.description.abstractOver more than a century, several proposals have been made on the composition and technical features of the pictorial recipes used by Levantine prehistoric painters. In this paper all these proposals are surveyed and tested through systematic experiments to determine the technical affordance of pigments and binders in different pictorial recipes. Experimental results were then used as independent analytical parameters employed as diagnostic criteria to systematically study an archaeological sample of nine sites located in the Maestrazgo region (Spain) and their surroundings. Results reveal that out of 112 experimental recipes, only 16 afforded the production of paintings technically similar to Levantine rock art.es
dc.description.filFil: Santos da Rosa, Neemias. Universidad de Barcelona; EspaƱa
dc.description.filFil: Fiore, Danae. Consejo Nacional de Investigaciones CientĆ­ficas y TĆ©cnicas; Argentina
dc.description.filFil: ViƱas, Ramon. Universitat Rovira I Virgili; EspaƱa
dc.formatapplication/pdfes
dc.identifier.citationSantos da Rosa, Neemias; Fiore, Danae; ViƱas, Ramon; Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain); Wiley Blackwell Publishing, Inc; Archaeometry; 65; 4; 2-2023; 816-832es
dc.identifier.institucionalCONICET
dc.identifier.issn0003-813Xes
dc.identifier.repoCONICET Digital
dc.identifier.urihttp://hdl.handle.net/11336/219727
dc.journal.ciudadLondreses
dc.journal.number4es
dc.journal.pagination816-832es
dc.journal.paisReino Unidoes
dc.journal.titleArchaeometryes
dc.journal.volume65es
dc.language.isoenges
dc.publisherWiley Blackwell Publishing, Inces
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/url/https://onlinelibrary.wiley.com/doi/full/10.1111/arcm.12856
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.1111/arcm.12856
dc.rightsinfo:eu-repo/semantics/openAccess*
dc.rights.urihttps://creativecommons.org/licenses/by/2.5/ar/*
dc.subjectBINDERSes
dc.subjectEXPERIMENTAL ARCHAEOLOGYes
dc.subjectIBERIAN PENINSULAes
dc.subjectMESOLITHICes
dc.subjectNEOLITHICes
dc.subjectPAINT PRODUCTIONes
dc.subjectPIGMENTSes
dc.subjectROCK ARTes
dc.subjectSPAINes
dc.subject.classificationArqueologĆ­aes
dc.subject.classificationHistoria y ArqueologĆ­aes
dc.subject.classificationHUMANIDADESes
dc.titleTesting recipes: an experimental approach to paint production processes in Levantine rock art (Spain)es
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artĆ­culo
dc.typeinfo:eu-repo/semantics/publishedVersion

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