Kierkegaard: literatura, filosofía, vida

Otros responsables
Fecha
07/2017
Editorial
Universidad Pedagógica y Tecnológica de Colombia
Revista
LA PALABRA
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Institución organizadora
ISSN
0121-8530
eISSN
2346-3864
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Español
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Resumen
En la obra de Søren Kierkegaard se pueden determinar tres estadios para el devenir de los sujetos: el estético, el ético y el religioso. Sin embargo, una lectura en clave autobiográfica permite identificar en éstos una problemática fundamental: la figuración de la subjetividad en la compleja relación literatura/filosofía/vida. El presente trabajo busca analizar ésta relación por medio de dos hecho biográficos puntales, la muerte del padre y la ruptura del compromiso como experiencias que permiten a Kierkegaard elaborar un concepto fundamental: concepción de vida, que no sólo da cuenta de lo que en líneas generales se denomina una filosofía de la existencia, sino que también permiten leer una narrativa del yo en donde pensamiento y experiencia hacen de su escritura una enunciación singular.
Three stages can be determined for the becoming of subjects in Søren Kierkegaard’s work: aesthetic, ethical and religious. However, an autobiographical reading makes it possible to identify a fundamental problem in these stages: the figuration of subjectivity in the complex relationship between literature, philosophy and life. The present work seeks to analyze this relationship through two biographical facts, the death of the father and the breaking off of his engagement, as experiences that allow Kierkegaard to elaborate a fundamental concept: conception of life, which not only accounts for what in general terms is called a philosophy of existence, but also allows us to read a narrative of the Self where writing becomes a singular enunciation due to the combined presence of thought and experience.
Three stages can be determined for the becoming of subjects in Søren Kierkegaard’s work: aesthetic, ethical and religious. However, an autobiographical reading makes it possible to identify a fundamental problem in these stages: the figuration of subjectivity in the complex relationship between literature, philosophy and life. The present work seeks to analyze this relationship through two biographical facts, the death of the father and the breaking off of his engagement, as experiences that allow Kierkegaard to elaborate a fundamental concept: conception of life, which not only accounts for what in general terms is called a philosophy of existence, but also allows us to read a narrative of the Self where writing becomes a singular enunciation due to the combined presence of thought and experience.
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