Preliminares para un análisis métrico-acentual de la poesía de Teócrito

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06/2018
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Consejo Superior de Investigaciones Científicas
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1988-8384
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El presente artículo busca dar los primeros pasos en un anális is de la distribución de acentos en el hexáme tro de Teócrito, a partir de la idea de que los poetas antiguos realizaban esta distribución de manera deliberada, avanzada recientemente por diversos autores. Luego de una introducción y algunas consideraciones metodológicas, se estudian los tipos de acentos en el tercer pie de un conjunto de dieciocho de los Idilios (aquellos cuya autoría corresponde con toda probabilidad a Teócrito), luego los tipos de acentos con los que el poeta cierra sus versos y, finalmente, se realiza un análisis de la correlación entre el tipo de acento en el tercer pie y el sexto. El estudio se propone detectar diferencias y similitudes entre los distintos poemas y grupos de poemas y verificar si se corresponden con las encontradas en el análisis metricológico.
This paper attempts to take the first steps in an analysis of the distribution of accents in Theocritus’ hexameter, following the hypothesis, proposed recently by several scholars, that ancient poets distributed accents in a deliberate manner. After an introduction and some methodological considerations, the author studies the types of accent in the third foot of a group of eighteen Idylls (those that can be safely attributed to Theocritus), then the types of accent with which the poet closes his verses and, finally, he conducts an analysis of the correlation between the type of accent in the third and in the sixth foot. The study attempts to detect similarities and differences between the different poems and groups of poems, and to verify if they correspond with those found in the metricological analysis.
This paper attempts to take the first steps in an analysis of the distribution of accents in Theocritus’ hexameter, following the hypothesis, proposed recently by several scholars, that ancient poets distributed accents in a deliberate manner. After an introduction and some methodological considerations, the author studies the types of accent in the third foot of a group of eighteen Idylls (those that can be safely attributed to Theocritus), then the types of accent with which the poet closes his verses and, finally, he conducts an analysis of the correlation between the type of accent in the third and in the sixth foot. The study attempts to detect similarities and differences between the different poems and groups of poems, and to verify if they correspond with those found in the metricological analysis.
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