Hacer arte político: La escritura lenta como estrategia para explorar la contingencia en la danza contemporánea

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Fecha
07/2023
Editorial
Escuela Superior Politécnica del Litoral
Revista
Ñawi
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Institución organizadora
ISSN
2528-7966
eISSN
2588-0934
ISBN
Idioma
Español
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Resumen
En este trabajo presentamos una propuesta de investigación y de escritura lenta del hacer artístico político, en el contexto del grupo de danza contemporánea independiente “Cantorodado”, ubicado en el interior de la Provincia de Córdoba (Argentina). A lo largo de 5 años de trabajo de campo etnográfico colaborativo seguimos los rastros del hacer de este grupo. Identificamos que se compone de agenciamientos estéticos, afectivos, éticos, políticos, económicos y materiales, que se configuran relacionalmente y de forma contingente, donde la contingencia es una cualidad de este hacer. Hallazgos que reponemos articulando una escritura académica divergente, de tipo narrativa y vívida, con una escritura académica canónica. Este análisis nos permite acercarnos a las formas, ritmos y texturas que toma la contingencia en su transcurrir. Ensayamos así una estrategia cognoscitiva y de escritura donde sus formas y contenidos dialogan con la forma y contenido de los fenómenos sociales en estudio, con la intención de que la lectura evoque el evento de lo social.
In this paper we present a slow research and writing proposal of the political artistic doing of the independent contemporary dance group “Cantorodado”, located in the interior of the Córdoba Province (Argentina). Throughout 5 years of collaborative ethnographic fieldwork, we follow the traces of this group. We identify that the doing of this group is made of aesthetic, affective, ethical, political, economic and material agencies, which are configured relationally and contingently, where the latter is a quality of this doing. We present these findings merging narrative and vivid divergent academic writing with canonical academic writing. This approach allows us to approach the forms, rhythms and textures that contingency takes in its course. Thus, we test a methodological and writing strategy where its forms and contents communicate with the form and content of the social phenomena under study, with the intention that reading evoke the social event.
In this paper we present a slow research and writing proposal of the political artistic doing of the independent contemporary dance group “Cantorodado”, located in the interior of the Córdoba Province (Argentina). Throughout 5 years of collaborative ethnographic fieldwork, we follow the traces of this group. We identify that the doing of this group is made of aesthetic, affective, ethical, political, economic and material agencies, which are configured relationally and contingently, where the latter is a quality of this doing. We present these findings merging narrative and vivid divergent academic writing with canonical academic writing. This approach allows us to approach the forms, rhythms and textures that contingency takes in its course. Thus, we test a methodological and writing strategy where its forms and contents communicate with the form and content of the social phenomena under study, with the intention that reading evoke the social event.
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