Theatre history studies in Latin America today: Issues in common

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dc.conicet.comentariosHola Maca. Revisar la filiación de la autora. Saluditos, Karen Uy! Se me pasó. Listo!es
dc.conicet.fuenteindividual
dc.conicet.organizacionConsejo Nacional de Investigaciones Científicas y Técnicas
dc.conicet.organizacionUniversidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"
dc.conicet.paisOrganizacionArgentina
dc.conicet.paisOrganizacionArgentina
dc.conicet.produccionid8658157
dc.contributor.authorVerzero, Lorena
dc.date.accessioned2021-05-08T01:41:34Z
dc.date.available2021-05-08T01:41:34Z
dc.date.issued2019-07
dc.date.updated2021-04-19T14:07:31Z
dc.description.abstractWith the article I intend to briefly contribute to the debates in the field of Theatre History with reflections on how we make theatre history, and what we are working on, in the Latin American academy today. I make an approach to what it means to be a theatre historian in the current Latin American academic environment. That leads me to the problem of the blurring of disciplinary boundaries, both regarding academic disciplines and the relationships between research and artistic practice. The problems surrounding the archive are also central nowadays. And we cannot avoid thinking of the context of scientific and educational policies in which we are currently working.es
dc.description.filFil: Verzero, Lorena. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina
dc.formatapplication/pdfes
dc.identifier.citationVerzero, Lorena; Theatre history studies in Latin America today: Issues in common; Cambridge University Press; Theatre Research International; 44; 2; 7-2019; 200-202es
dc.identifier.eissn1474-0672es
dc.identifier.institucionalCONICET
dc.identifier.issn0307-8833es
dc.identifier.repoCONICET Digital
dc.identifier.urihttp://hdl.handle.net/11336/131715
dc.journal.ciudadCambridgees
dc.journal.number2es
dc.journal.pagination200-202es
dc.journal.paisReino Unidoes
dc.journal.titleTheatre Research Internationales
dc.journal.volume44es
dc.language.isoenges
dc.publisherCambridge University Presses
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1017/S0307883319000075
dc.relation.alternativeidinfo:eu-repo/semantics/altIdentifier/url/https://www.cambridge.org/core/journals/theatre-research-international/article/abs/theatre-history-studies-in-latin-america-today-issues-in-common/3060EB3A0423AC3E16A01F9C9346E5AF
dc.rightsinfo:eu-repo/semantics/restrictedAccess*
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/*
dc.subjectTHEATRE HISTORYes
dc.subjectLATIN AMERICAes
dc.subjectRESEARCH AND ARTISTIC PRACTICEes
dc.subjectARCHIVEes
dc.subject.classificationOtras Humanidadeses
dc.subject.classificationOtras Humanidadeses
dc.subject.classificationHUMANIDADESes
dc.titleTheatre history studies in Latin America today: Issues in commones
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:ar-repo/semantics/artículo
dc.typeinfo:eu-repo/semantics/publishedVersion

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