Inmersión submarina: Opiano, Haliéutica 5.519-588 y cómo empatizar con los peces

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Fecha
09/2024
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Universidad de La Laguna. Facultad de Humanidades
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Fortunatae
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1131-6810
eISSN
2530-8343
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Español
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En Haliéutica 5.519-588,Opiano de Cilicia explica el procedimiento de la captura de los delfines porparte de los pescadores tracios, que concluye con el sacrificio del delfínhembra tras la muerte de su cría. Este procedimiento es también relatado porEliano (1.18 Hercher), en una secuencia cuya similitud casi garantiza queestaba inspirándose en el pasaje del cilicio, o que ambos dependen de unafuente común con el mismo relato. Los dos autores ofrecen un claro balance deperspectivas, focalizando sus narraciones por momentos sobre los pescadores ypor momentos sobre el delfín; es evidente, sin embargo, que la estrategia en lanarración es muy diferente en cada uno. El objetivo de este trabajo es mostrarlos recursos que Opiano utiliza no solo para despertar la piedad sobre eldelfín cazado y su madre sacrificada, sino para generar la inmersión de losespectadores en el relato a través de la identificación con su víctima.
In Halieutica 5.519-588, Oppian of Cilicia explains the procedure of the capture of dolphins byThracian fishermen, which concludes with thesacrifice of thefemale dolphin after the death of her calf. This procedure is also recounted by Elianus (1.17 = 1.18 Hercher), in a sequence whose similarity almost guarantees that he was drawing inspiration from the Cilician passage, or that both rely on a common source with the same account. The two authors offer a clear balance of perspectives, focusing their narratives at times on the fishermen and at times on the dolphin; it is evident, however, that the narrative strategy is very different in each.The aim of this paper is to show the resources that Oppian uses not only to arouse pity for the hunted dolphin and its sacrificed mother, but also to generate the immersion of the spectators in the story through identification with its victim.
In Halieutica 5.519-588, Oppian of Cilicia explains the procedure of the capture of dolphins byThracian fishermen, which concludes with thesacrifice of thefemale dolphin after the death of her calf. This procedure is also recounted by Elianus (1.17 = 1.18 Hercher), in a sequence whose similarity almost guarantees that he was drawing inspiration from the Cilician passage, or that both rely on a common source with the same account. The two authors offer a clear balance of perspectives, focusing their narratives at times on the fishermen and at times on the dolphin; it is evident, however, that the narrative strategy is very different in each.The aim of this paper is to show the resources that Oppian uses not only to arouse pity for the hunted dolphin and its sacrificed mother, but also to generate the immersion of the spectators in the story through identification with its victim.
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