Nachleben [pervivencia] e historicidad en Walter Benjamin

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Fecha
12/2017
Editorial
Pontificio Seminario Mayor San Rafael
Revista
Veritas
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Institución organizadora
ISSN
0717-4675
eISSN
0718-9273
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Español
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Resumen
El concepto de Nachleben ocupa un lugar central en la reflexión filosófica y científica en la Alemania de finales del siglo diecinueve y comienzos del siglo veinte, tanto en su vertiente evolucionista, entendida como ‘supervivencia’ (Überleben), como en su dimensión histórica vinculada al estudio de la ‘pervivencia’ (Nachleben) de los productos culturales, y se extiende a comienzos del siglo XX a la historia del arte y a la filosofía de la cultura. Este trabajo indaga las principales características de dos formas diferentes de conceptualización de la idea de pervivencia y su vínculo con la noción de Nachleben que Walter Benjamin desarrolla en su obra. Se dará cuenta de distintos modelos o paradigmas para comprender el vínculo entre la historia, la vida y la tradición: un modelo teológico, centrado en la figura de Jesús, un modelo energético, basado en la física y otro, elaborado por Benjamin, centrado en la idea de una vida propia de las obras de arte y los objetos culturales.
The concept of Nachleben is paramount in the philosophical and scientific reflections in late nineteenth and early twentieth Century Germany, both in its evolutionist meaning as ‘survival’ (Überleben) and in its historical dimension, linked to the study of the ‘afterlife’ (Nachleben) of cultural artifacts/products. The concept extends its application range at the beginning of the twentieth century to the Art History and the Philosophy of Culture. This paper will trace the main characteristics of two different forms of conceptualization of the idea of afterlife and its connection to the notion of Nachleben that Walter Benjamin develops in his work. In this paper I’ll give an account of different paradigms or models for understanding the relationship between history, life and tradition: a theological model, centered in the figure of Jesus, an energetic model, based on physics, and a third model, elaborated by Benjamin, centered in the idea that artworks and cultural objects have a life of their own.
The concept of Nachleben is paramount in the philosophical and scientific reflections in late nineteenth and early twentieth Century Germany, both in its evolutionist meaning as ‘survival’ (Überleben) and in its historical dimension, linked to the study of the ‘afterlife’ (Nachleben) of cultural artifacts/products. The concept extends its application range at the beginning of the twentieth century to the Art History and the Philosophy of Culture. This paper will trace the main characteristics of two different forms of conceptualization of the idea of afterlife and its connection to the notion of Nachleben that Walter Benjamin develops in his work. In this paper I’ll give an account of different paradigms or models for understanding the relationship between history, life and tradition: a theological model, centered in the figure of Jesus, an energetic model, based on physics, and a third model, elaborated by Benjamin, centered in the idea that artworks and cultural objects have a life of their own.
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