Discursos de alteridad en la dramaturgia regional de la posdictadura argentina

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Fecha
01/2016
Editorial
Universidad Autónoma de Baja California. Centro de Investigaciones Culturales. Museo
Revista
Culturales
Título del libro
Nombre del evento
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Institución organizadora
ISSN
1870-1191
eISSN
2448-539X
ISBN
Idioma
Español
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Resumen
Las secuelas de la última dictadura militar en Argentina se observan en diversos aspectos culturales, entre otros, en la concepción de ?alteridad sospechosa? que el régimen instaló en los campos sociales para justificar sus políticas represivas y genocidas. De este modo, con la reapertura democrática, el arte en general y el teatro en particular, asumieron, con responsabilidad estética, la tarea de resignificar aquellos discursos sobre la otredad ominosa legada. Por consiguiente, en el presente artículo abordaremos las respuestas poéticas que la dramaturgia regional ha enunciado como estrategias de resistencia, con el fin de aportar a los nuevos procesos comunitarios e intersubjetivos sobre el pasado reciente. Para indagar en este problema, apelaremos a herramientas hermenéuticas de la literatura comparada y la sociología de la cultura, aplicadas al análisis de las obras teatrales de Alejandro Finzi y Carlos María Alsina, escritas en la Patagonia y el noroeste argentinos, en el periodo1983-2003.
The negative consequences of the last dictatorship in Argentina can be clearly seen in several cultural aspects, for example, in the conception of “suspicious otherness” which the military regime introduced in social domains in order to justify and endorse its repressive and genocidal practices. Thus, with the return of democracy, art in general and drama in particular, assumed, with aesthetic responsibility, the task of resignifying those discourses on ominous otherness. Therefore, in this article we will address the poetic responses offered by regional drama as resistance strategies, in order to contribute to the new community and intersubjective processes on the recent past. To investigate this problem, we will appeal to hermeneutic tools from comparative drama and sociology of culture, and apply them to the analysis of the plays of Alejandro Finzi and Carlos María Alsina, written in Patagonia and the Argentine Northwest during the 1983-2003 period.
The negative consequences of the last dictatorship in Argentina can be clearly seen in several cultural aspects, for example, in the conception of “suspicious otherness” which the military regime introduced in social domains in order to justify and endorse its repressive and genocidal practices. Thus, with the return of democracy, art in general and drama in particular, assumed, with aesthetic responsibility, the task of resignifying those discourses on ominous otherness. Therefore, in this article we will address the poetic responses offered by regional drama as resistance strategies, in order to contribute to the new community and intersubjective processes on the recent past. To investigate this problem, we will appeal to hermeneutic tools from comparative drama and sociology of culture, and apply them to the analysis of the plays of Alejandro Finzi and Carlos María Alsina, written in Patagonia and the Argentine Northwest during the 1983-2003 period.
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