La luz en la percepción de la obra de arte
; Ajmat, Raul Fernando ; Martín, Andrés 
Otros responsables
Fecha
02/2022
Editorial
Universidad del Zulia (Luz)
Revista
SituArte
Título del libro
Nombre del evento
Fecha del evento
Institución organizadora
ISSN
1856-7134
eISSN
2542-3231
ISBN
Idioma
Español
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Clasificación temática
Palabras clave
Resumen
En una exhibición de arte en un museo la incorrecta temperatura de color de la luz puede alterar la percepción del usuario de los colores de la obra exhibida y su entorno. Igualmente, niveles de iluminación muy tenues pueden dificultar la correcta visualización de la obra, sus colores y los del entorno, por lo que el equilibrio entre conservación y exhibición es el desafío principal que enfrentan los curadores. El objetivo del estudio es obtener información y clasificarla, de modo que permita aportar estrategias museográficas que ayuden a la toma de decisiones del personal a cargo de exhibiciones, contribuyendo y mejorando la experiencia del usuario.
Art exhibitions in museums with an incorrect light colour temperature can alter users’ perception of colours of the exhibited work and its background. Likewise, very low lighting levels may make it difficult to correctly visualize the artwork, its colours and those of the background. Therefore, a balance between conservation and exhibition is one of the main challenges faced by curators.The aim of this piece of work is to acquire information, classify it in such a way that it would become a contribution of museographic strategies that help the decision-making of the staff in charge of museographic exhibitions, contributing and enhancing users’ experience.
Art exhibitions in museums with an incorrect light colour temperature can alter users’ perception of colours of the exhibited work and its background. Likewise, very low lighting levels may make it difficult to correctly visualize the artwork, its colours and those of the background. Therefore, a balance between conservation and exhibition is one of the main challenges faced by curators.The aim of this piece of work is to acquire information, classify it in such a way that it would become a contribution of museographic strategies that help the decision-making of the staff in charge of museographic exhibitions, contributing and enhancing users’ experience.
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