Tópicas míticas, aproximaciones fantástico-políticas: Región y nacionalismo católico

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Fecha
08/2021
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Cuadernos del Hipogrifo
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Cuadernos del Hipogrifo
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2420-918X
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En este artículo pretendemos postular algunos argumentos sobre la presencia efectiva de Numa en la obra del ciclo de Región. La hipótesis de nuestro trabajo sostiene que Numa articula una serie de topoi, simbolizados en los lazos familiares quebrados y en el hogar materno. Este personaje ejerce la fuerza de la ley del nacionalismo católico y se presenta en la obra del ciclo como un núcleo contradictorio de esa tendencia ideológica. Como es sabido, Numa es un personaje ambiguo en la narrativa de Región, del escritor español Juan Benet. Su función se condensa en la obediencia. Numa debe obedecer pues el pecado mayor es la transgresión, su orgullo implica el vencer, como en un juego; no obstante si la marca de su acción es conforme al deber, el orgullo no debiera ser expuesto.
In this article we intend to postulate some arguments about the effective presence of Numa in the work of the Region cycle. The hypothesis of our work holds that Numa articulates a series of topoi, symbolized in the broken family ties and in the maternal home. This character exercises the force of the law of Catholic nationalism and is presented in the work of the cycle as a contradictory nucleus of this ideological tendency. As is known, Numa is an ambiguous character in the narrative of Region, by the Spanish writer Juan Benet. His function is condensed in obedience. Numa must obey because the greatest sin is transgression, his pride implies winning, as in a game; however if the mark of his action is in accordance with duty, pride should not be exposed.
In this article we intend to postulate some arguments about the effective presence of Numa in the work of the Region cycle. The hypothesis of our work holds that Numa articulates a series of topoi, symbolized in the broken family ties and in the maternal home. This character exercises the force of the law of Catholic nationalism and is presented in the work of the cycle as a contradictory nucleus of this ideological tendency. As is known, Numa is an ambiguous character in the narrative of Region, by the Spanish writer Juan Benet. His function is condensed in obedience. Numa must obey because the greatest sin is transgression, his pride implies winning, as in a game; however if the mark of his action is in accordance with duty, pride should not be exposed.
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