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dc.contributor.author
Campo, Javier Alberto
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dc.date.available
2019-06-04T20:52:43Z
dc.date.issued
2017-02
dc.identifier.citation
Campo, Javier Alberto; La percepción no conceptual en el cine etnográfico de jorge prelorán (Argentina, 1960/1970); Altrimedia Edizioni; Visual Ethnography; 5; 2; 2-2017; 139-155
dc.identifier.issn
2281-1605
dc.identifier.uri
http://hdl.handle.net/11336/77625
dc.description.abstract
The prominent figure in Argentine ethnographic film has long been Jorge Prelorán. He is the filmmaker who has perhaps most thoroughly reflected on his practice. Prelorán defined in his work and writings what he meant by ethnographic film: neither ethnography nor cinema, but rather both at once. Neither science nor art, but located in the middle of the magnetic field that both areas radiate. He made about fifty ethnographic documentaries in Argentina. Prelorán built his career on the idea that all images that can be combined to make a film are part of this infinite bank of things that can be called "the universe." If the world of film images is independent, to say they are "created" as a "representation" is impertinent. Under this conception, the subject is no longer the center; therefore, he is not entirely in control of his creation. Gilles Deleuze understood this quite well in his revolutionizing contributions to film studies. Movement-image film is action and reaction, a constant updating of the operation of a sensory-motor mechanism. In the development of these problematic issues through the films of the Argentine filmmaker, I will discuss principles that movie studios have considered as revealed truths, including the concept of authorship.
dc.format
application/pdf
dc.language.iso
spa
dc.publisher
Altrimedia Edizioni
dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
Argentine Ethnographic Film
dc.subject
Heterodox
dc.subject
Jorge PrelorÁN Anthropocentric
dc.subject
Perception
dc.subject.classification
Otras Artes
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dc.subject.classification
Arte
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dc.subject.classification
HUMANIDADES
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dc.title
La percepción no conceptual en el cine etnográfico de jorge prelorán (Argentina, 1960/1970)
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2019-06-04T14:48:52Z
dc.journal.volume
5
dc.journal.number
2
dc.journal.pagination
139-155
dc.journal.pais
Italia
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dc.journal.ciudad
Potenza
dc.description.fil
Fil: Campo, Javier Alberto. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
dc.journal.title
Visual Ethnography
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/http://www.vejournal.org/index.php/vejournal/article/view/106
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.12835/ve2016.2-0070
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