Approaching imperial narratives one sense at a time: views and sounds at an Inka settlement in northwest Argentina

Abstract

Throughout history, empires have deployed a vast array of strategies to promote their worldview and to control the colonized. Amongst non-violent ones, hosting public ceremonies to show off an empire’s capabilities and to enact and reinforce new desired relations and identities, seemed to be especially effective. This article presents new data and interpretations on how the Inkas employed ritual architecture to manipulate the somatic experiences of the colonized. Specifically, we analyze the public space of an Inka settlement located in the North Calchaquí Valley (Argentina) in order to show how the Inkas used architecture and spatial design to impose certain sensorial modalities and to manage their sequential stimulus and intensity. In an attempt to overcome a reigning visual paradigm among this line of inquiry, we present an analysis that combines visual and acoustical data collected on site, with three-dimensional modeling of terrain, architecture, and sound propagation. Results indicate that through a careful layout design that involved the management of visual and acoustic permeability, the Inkas not only organized groups and practices, but also created different experiences for different people.