Ramona Lives Her Life

Abstract

The article proposes to analyze Berni´s Ramona series in the context of the sixties and in the debates about gender and feminism. It is based in a close reading of the images and in simultaneity with several archives coming from political circumstances and from the international debates around the possibility to create a feminist art. The reading proposes to consider that even if Berni wasn´t in contact with these debates, his work was impregnated by them.