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dc.contributor.author
Oubiña, David Leonardo
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dc.date.available
2018-04-26T19:59:13Z
dc.date.issued
2015-06
dc.identifier.citation
Oubiña, David Leonardo; The Skin of the World: Horacio Coppola and Cinema; Carfax Publishing Ltd.; Journal of Latin American Cultural Studies; 24; 2; 6-2015; 207-221
dc.identifier.issn
1356-9325
dc.identifier.uri
http://hdl.handle.net/11336/43599
dc.description.abstract
During the 1930s, Horacio Coppola made two trips to Europe: December 1930 - May 1931, and October 1932 - August 1935. These trips were, in a precise manner of speaking, apprenticeship experiences. Apprenticeships in photography and in cinematography. Coppola had begun taking photos at the end of the 1920s but, before leaving for Europe, his understanding of photography was basically intuitive. On the other hand, at that time, he was already a consummate cinephile with a very thorough understanding of the current state of cinematography. In Europe, he directed three short films: Sueño (Traum, 1933), Un dique en el Sena (Un quai de la Seine, 1934) and Un domingo en Hampstead Heath (A Sunday in Hampstead Heath, 1935). From the first one to the last one, Coppola goes through his own shift from the avant-garde to high modernism. Taken together, his three films reveal that, at least for a time, Coppola harbored the idea of devoting himself to cinema. In his itinerary as a photographer, cinema ended up taking a secondary position. But these films show that he investigated the specificity of the images in motion and, in there, searched to define a personal style and a gaze that is as revealing as it is non-transferable. (The article is the English version of a previous essay included in VV.AA., Horacio Coppola. Los viajes)
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Carfax Publishing Ltd.
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dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
Horacio Coppola
dc.subject
Fotografía
dc.subject
Cine
dc.subject
Modernidad y Vanguardia
dc.subject.classification
Otras Artes
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dc.subject.classification
Arte
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dc.subject.classification
HUMANIDADES
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dc.title
The Skin of the World: Horacio Coppola and Cinema
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2018-04-17T19:56:38Z
dc.journal.volume
24
dc.journal.number
2
dc.journal.pagination
207-221
dc.journal.pais
Reino Unido
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dc.journal.ciudad
Londres
dc.description.fil
Fil: Oubiña, David Leonardo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
dc.journal.title
Journal of Latin American Cultural Studies
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dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.1080/13569325.2015.1040744
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/13569325.2015.1040744
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