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dc.contributor.author
Rodríguez, Gerardo Fabián  
dc.contributor.author
Miranda, Lidia Raquel  
dc.date.available
2023-11-22T18:03:28Z  
dc.date.issued
2022-12  
dc.identifier.citation
Rodríguez, Gerardo Fabián; Miranda, Lidia Raquel; Body and senses in the production of cultural meaning: from Middle Ages to TV series, films and video games; New Bulgarian University; Digital Age in Semiotics & Communication; 5; 12-2022; 126-156  
dc.identifier.issn
2603-3585  
dc.identifier.uri
http://hdl.handle.net/11336/218507  
dc.description.abstract
Just as medieval literary work was determined by contextual elements (the acoustic-momentary axis and the domain of gestural, instrumental and vocal codes, among other aspects) that conditioned producers and interpreters when it came to cultivating and perfecting their capacities and performance, on which the message as a whole depended, today the media and entertainment industry also use complex and rich connections between verbal and visual signs to produce highly symbolic messages through imaginary re-enactments of the past.In this way, the pragmatic-communicative perspective, appropriate to analyze the wide range of discursive productions of the Middle Ages, also offers adequate methodological tools to study contemporary semiotic practices that, when interpreting documentary sources of various types and pouring them into suitable fictional formats for the general public (such as films, television series, cartoons, videogames or virtual reality), they constitute playful reconfigurations of the historical, literary and fantastic Middle Ages.Accordingly, this paper attempts to examine certain devices and components of mass culture that have transformed narratives, characters and fictional worlds, distinctive of the Middle Ages, into communicative and semiotic practices that reinterpret historical and literary documents as a way of reflecting on people, social life and its problems in the present world. We will concentrate on TV series, films and videogames that focus on the representation of the human body and senses as areas of dispute about identity, otherness and society, since semantic plurality and diachronic bases of the idea of body and senses enable an interdisciplinary and comparative study to understand their historicity, their ideological effect and the innumerable aesthetic possibilities that they promote in different areas of culture. As in any instance of cultural translation, we will take into account the bodily and sensory aspects of the Middle Ages selected by series, films and videogames that have an impact, as significant elements, on current cultural orientations and attitudes.  
dc.format
application/pdf  
dc.language.iso
eng  
dc.publisher
New Bulgarian University  
dc.rights
info:eu-repo/semantics/openAccess  
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/  
dc.subject
BODY  
dc.subject
SENSES  
dc.subject
MEANING  
dc.subject
MIDDLE AGE  
dc.subject.classification
Otras Humanidades  
dc.subject.classification
Otras Humanidades  
dc.subject.classification
HUMANIDADES  
dc.title
Body and senses in the production of cultural meaning: from Middle Ages to TV series, films and video games  
dc.type
info:eu-repo/semantics/article  
dc.type
info:ar-repo/semantics/artículo  
dc.type
info:eu-repo/semantics/publishedVersion  
dc.date.updated
2023-11-15T15:50:33Z  
dc.identifier.eissn
2603-3593  
dc.journal.volume
5  
dc.journal.pagination
126-156  
dc.journal.pais
Bulgaria  
dc.journal.ciudad
Sofía  
dc.description.fil
Fil: Rodríguez, Gerardo Fabián. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Mar del Plata; Argentina  
dc.description.fil
Fil: Miranda, Lidia Raquel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de La Pampa; Argentina  
dc.journal.title
Digital Age in Semiotics & Communication  
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://ojs.nbu.bg/index.php/DASC/article/view/853  
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.33919/dasc.22.5.7