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dc.contributor.author
Pascual, Luciano
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dc.date.available
2023-07-12T13:38:11Z
dc.date.issued
2022-11
dc.identifier.citation
Pascual, Luciano; Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink; National University of Ireland Maynooth; Dancecult; 14; 1; 11-2022; 23-38
dc.identifier.issn
1947-5403
dc.identifier.uri
http://hdl.handle.net/11336/203425
dc.description.abstract
The aim of this article is to deepen reflections on the links between the technical aspects of techno music, the experience of listening to it and its social function. In order to achieve that goal, we carry out a comparative analysis between Theodor Adorno and Robert Fink, which allows us to construct an interpretation of the social dimensions of the techno technique, specifically from the analysis of its teleology and time. This work acknowledges the irreconcilable aspects of the authors; where Fink finds a liberating possibility of manifestation and creation of desire or an expression of an emerging new subjectivity, Adorno finds the innermost fibres of a mechanism of social alienation. These contradictory interpretations, complexified by contributions from other authors (such as Rick Snoman, Mark Butler and Diedrich Diederichsen, Ragnhild Solberg and Juliane Rebentisch), allow us to build a detailed description of the particularities of techno aesthetics.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
National University of Ireland Maynooth
dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
AESTHETICS
dc.subject
EXPERIENCE
dc.subject
SOCIAL FUNCTION
dc.subject
TECHNO MUSIC
dc.subject.classification
Arte, Historia del Arte
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dc.subject.classification
Arte
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dc.subject.classification
HUMANIDADES
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dc.title
Technique, Experience and the Social Function of Techno Music: A Comparative Analysis of Theodor Adorno and Robert Fink
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2023-06-30T10:47:38Z
dc.journal.volume
14
dc.journal.number
1
dc.journal.pagination
23-38
dc.journal.pais
Irlanda
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dc.journal.ciudad
Maynooth
dc.description.fil
Fil: Pascual, Luciano. Max Planck Institute For Empirical Aesthetics; Alemania. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; Argentina
dc.journal.title
Dancecult
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.12801/1947-5403.2022.14.01.02
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://dj.dancecult.net/index.php/dancecult/article/view/1207
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