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dc.contributor.author
Kwiatkowski, Nicolás
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dc.date.available
2023-06-16T16:01:57Z
dc.date.issued
2022-06
dc.identifier.citation
Kwiatkowski, Nicolás; Martyrdom and the Visual Production of Otherness in Europe, 1450-1650; Brepols Publishers; Ikon; 15; 6-2022; 101-114
dc.identifier.issn
1846-8551
dc.identifier.uri
http://hdl.handle.net/11336/200835
dc.description.abstract
In Christian thought and imagination, martyrdom is a fundamental expression of religious belief. During the Early Modern wars of religion and in an age of conflictive relationships between Europeans and their Eastern neighbors, biblical martyrdom, and in particular infant martyrdom, was used as a metaphor to represent contemporary killings and massacres. This article studies representations of real massacres as scenes of martyrdom in early modern Europe during two centuries that go from the fall of Constantinople to the Thirty Years' War. The text starts with a brief description of the iconography of martyrdom that emerged at the end of the Middle Ages and soon after became topical. Next it discusses the use of this iconography to represent massacres in realistic, propagandistic, and artistic imagery. It also discusses the construction of identities based on the display of innocence and victimhood, and the emergence of a religious Other (Muslim, Catholic, and Protestant in each respective case) imagined as cruel and barbaric.
dc.description.abstract
U kršćanskoj misli i imaginaciji, mučeništvo je temeljni izraz religijskog vjerovanja. Tijekom ranonovovjekovnih religijskih ratova i u doba konfliktnih odnosa između Europljana i njihovih istočnih susjeda, biblijsko mučeništvo, a posebno mučeništvo male djece, korišteno je kao metafora za predstavljanje suvremenih ubojstava i pokolja. Ovaj članak proučava prikaze stvarnih pokolja kao prizora mučeništva u ranoj modernoj Europi tijekom dva stoljeća: od pada Carigrada do Tridesetogodišnjeg rata. Tekst počinje kratkim opisom ikonografije mučeništva koja je nastala krajem srednjeg vijeka i ubrzo postala često korištena. Zatim se raspravlja o uporabi ove ikonografije za prikaze masakra u realističkim, propagandističkim i umjetničkim slikama. Također se raspravlja o izgradnji identiteta temeljenih na prikazima nevinih i žrtava, te o pojavi religijskog Drugog (muslimana, katolika i protestanata u zasebnim primjerima) zamišljenog kao okrutnog i barbarskog.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Brepols Publishers
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
ICONOGRAPHY
dc.subject
MARTYRDOM
dc.subject
MASSACRE
dc.subject
OTHERNESS
dc.subject
WARS OF RELIGIONS
dc.subject.classification
Historia
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dc.subject.classification
Historia y Arqueología
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dc.subject.classification
HUMANIDADES
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dc.title
Martyrdom and the Visual Production of Otherness in Europe, 1450-1650
dc.title
Mučeništvo i vizualizacija Drugosti u Europi od 1450. do 1650
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2023-06-14T16:51:06Z
dc.identifier.eissn
2507-041X
dc.journal.volume
15
dc.journal.pagination
101-114
dc.journal.pais
Croacia
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dc.description.fil
Fil: Kwiatkowski, Nicolás. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina
dc.journal.title
Ikon
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.brepolsonline.net/doi/abs/10.1484/J.IKON.5.132355
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1484/J.IKON.5.132355
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