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dc.contributor.author
García, Victoria Gisele  
dc.contributor.other
Baisotti, Pablo Alberto  
dc.date.available
2023-03-27T19:02:34Z  
dc.date.issued
2022  
dc.identifier.citation
García, Victoria Gisele; From Nunca más tu Ni una menos: Testimony and Fiction in Contemporary Argentine Narrative; Routledge; 2022; 276-289  
dc.identifier.isbn
978-036-752-004-5  
dc.identifier.uri
http://hdl.handle.net/11336/191731  
dc.description.abstract
The expressions Nunca más and Ni una menos (“Never again” and “Not one woman less”) condense, each in turn, two important moments in Argentine contemporary culture. They crystallize the collective challenge that civil society has raised against the state repression deployed during the last military dictatorship (1976–1983), first, and then against the multiplication of gender-based crimes against women. The phrase Nunca más emerges in the democratic transition of the 1980s: it was the title of the report on the dictatorial repression that the National Commission on the Disappearance of Persons, created by the then President Raúl Alfonsín, drew up on the basis of hundreds of testimonies from survivors and relatives of victims of forced disappearance (Crenzel 2016, 50). The process of producing memory, truth, and justice about the dictatorship’s past, which became central to the public agenda in those years, saw advances and setbacks in the following decades, crossed by multiple social and political disputes, and with the undoubted protagonism of the organizations of victims’ relatives and the human rights movement (Crenzel 2016). On the other hand, Ni una menos has recently emerged, as the manifestation of the rejection of serial femicides, promoted in 2015 by a collective of journalists, writers, and artists, accompanied by an entire movement of women that has since burst onto the public scene. The slogan that complements that collective clamour, “Vivas y libres nos queremos” (“We want us alive and free”), synthesizes the notion of femicide as a particularly brutal manifestation of a much broader plot of violence and inequalities, embedded in the roots of the patriarchal system, and which reproduction the feminist movement seeks to question (Gago 2019, 21).  
dc.format
application/pdf  
dc.language.iso
eng  
dc.publisher
Routledge  
dc.rights
info:eu-repo/semantics/restrictedAccess  
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/  
dc.subject
Testimony  
dc.subject
Fiction  
dc.subject
Dictatorship  
dc.subject
Feminism  
dc.subject.classification
Estudios Generales de Literatura  
dc.subject.classification
Lengua y Literatura  
dc.subject.classification
HUMANIDADES  
dc.title
From Nunca más tu Ni una menos: Testimony and Fiction in Contemporary Argentine Narrative  
dc.type
info:eu-repo/semantics/publishedVersion  
dc.type
info:eu-repo/semantics/bookPart  
dc.type
info:ar-repo/semantics/parte de libro  
dc.date.updated
2023-03-23T12:22:08Z  
dc.journal.pagination
276-289  
dc.journal.pais
Reino Unido  
dc.journal.ciudad
Londres  
dc.description.fil
Fil: García, Victoria Gisele. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filología y Literatura Hispánica "Dr. Amado Alonso"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina  
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.taylorfrancis.com/chapters/edit/10.4324/9780367520069-20/nunca-m%C3%A1s-ni-una-menos-victoria-garc%C3%ADa  
dc.conicet.paginas
540  
dc.source.titulo
The Routledge Handbook of Violence in Latin American Literature