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dc.contributor.author
Cámara, Mario Cesar
dc.date.available
2022-09-17T02:54:16Z
dc.date.issued
2020-05
dc.identifier.citation
Cámara, Mario Cesar; Paulo Leminski, from São Paulo Concretism to the Post-Haiku; Latin American Cultures Stanford University; Journal of Lusophone Studies; 5; 1; 5-2020; 172-186
dc.identifier.issn
2469-4800
dc.identifier.uri
http://hdl.handle.net/11336/169209
dc.description.abstract
In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic project inspired by the genre of haikai. The "post-haiku" allowed Leminski to articulate a tradition of formal compositional rigor and the idea of poetry as experience.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Latin American Cultures Stanford University
dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by/2.5/ar/
dc.subject
BRAZIL
dc.subject
CONCRETE POETRY
dc.subject
HAIKU
dc.subject
EXPERIMENTATION
dc.subject.classification
Estudios Generales de Literatura
dc.subject.classification
Lengua y Literatura
dc.subject.classification
HUMANIDADES
dc.title
Paulo Leminski, from São Paulo Concretism to the Post-Haiku
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2022-09-15T02:14:02Z
dc.journal.volume
5
dc.journal.number
1
dc.journal.pagination
172-186
dc.journal.pais
Estados Unidos
dc.journal.ciudad
Stanford
dc.description.fil
Fil: Cámara, Mario Cesar. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires; Argentina
dc.journal.title
Journal of Lusophone Studies
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://jls.apsa.us/index.php/jls/article/view/376
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