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dc.contributor.author
Garcia, Maria Amalia
dc.contributor.other
Dhaenens, Laurens
dc.date.available
2021-08-11T12:39:04Z
dc.date.issued
2021
dc.identifier.citation
Garcia, Maria Amalia; Georges Vantongerloo and his connections in the Argentine Art World; Muzee; 2021; 150-175
dc.identifier.isbn
9789074694384
dc.identifier.uri
http://hdl.handle.net/11336/138134
dc.description.abstract
Georges Vantongerloo is one of the European artists who probably had the most friends in the Argentine art world. Friendship implies admiration, respect, affection, a kind of spiritual com- munion that materialized not only into the collection of Vantongerloo's works compiled by Ignacio Pirovano (currently housed in the Museo de Arte Moderno de Buenos Aires), but can also be felt in the relationships between the Belgian artist and a number of artists from the River Plate region. These relationships spanned multiple decades beginning with Joaquín Torres-García, who, like Vantongerloo, was part of the Cercle et Carré movement in Paris around 1930, and con- nected generations of constructivist artists in the River Plate region: Lidy Prati, Tomás Maldo- nado, Alfredo Hlito, Claudio Girola, Víctor Magariños D, Miguel Ángel Vidal, Eduardo Mac Entyre, Gyula Kosice, Gregorio Vardánega and many others.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Muzee
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
GEORGES VANTONGERLOO
dc.subject
ARGENTINE ART
dc.subject
ABSTRACTION
dc.subject
CONCRETE ART
dc.subject.classification
Arte, Historia del Arte
dc.subject.classification
Arte
dc.subject.classification
HUMANIDADES
dc.title
Georges Vantongerloo and his connections in the Argentine Art World
dc.type
info:eu-repo/semantics/publishedVersion
dc.type
info:eu-repo/semantics/bookPart
dc.type
info:ar-repo/semantics/parte de libro
dc.date.updated
2021-07-30T13:59:25Z
dc.journal.pagination
150-175
dc.journal.pais
Bélgica
dc.journal.ciudad
Ostende
dc.description.fil
Fil: Garcia, Maria Amalia. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.muzee.be/en/ourproducts/transatlantic-modernisms--belgium---argentina-1910-1958-2
dc.conicet.paginas
352
dc.source.titulo
Transatlantic Modernisms: Belgium-Argentina (1910-1958)
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