Mostrar el registro sencillo del ítem

dc.contributor.author
Cuarterolo, Andrea Laura  
dc.contributor.other
Navitsky, Rielle  
dc.contributor.other
Poppe, Nicolas  
dc.date.available
2020-10-28T12:55:56Z  
dc.date.issued
2017  
dc.identifier.citation
Cuarterolo, Andrea Laura; A Gaze Turned Towards Europe: Modernity and Tradition in the Work of Horacio Coppola; Indiana University Press; 2017; 180-210  
dc.identifier.isbn
9780253025722  
dc.identifier.uri
http://hdl.handle.net/11336/117031  
dc.description.abstract
The period of avant-garde movements in the 1920s marks the beginning of a singular moment, in which, for the first time, one can speak of a certain parallelism between modernity in the visual arts--above all painting and photography--and filmic modernity.  This is also, aside from cinema´s earliest years, the phase where one most often encounters photographers who are simultaneously dedicated to or experimenting with the seventh art. The still images and films of these new artists should not be studied in isolation, but must be inserted in the broader context of their indisputably intermedial works.  Furthermore, this is perhaps the last period in the history of cinema that demands a historiographic approach that necessarily links the two media.  In this essay, I analyze the emergence during the interwar years of a series of artistic movements that introduced, in film and photography, an innovative and novel gaze towards the reality of their time.  Although the majority of these avant-garde movements arose in Europe, their influence had a much wider scope, including in Latin America, where they confronted and eventually displaced the first wave of modernism.  I analyze how the new ideas introduced by these innovative movements were adopted and reformulated in the Argentine context in the specific work of an artist who to some extent introduced visual modernism in this country´s photography and cinema: Horacio Coppola.  
dc.format
application/pdf  
dc.language.iso
eng  
dc.publisher
Indiana University Press  
dc.rights
info:eu-repo/semantics/restrictedAccess  
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/  
dc.subject
AVANT GARDE CINEMA  
dc.subject
HORACIO COPPOLA  
dc.subject
CINEMA AND PHOTOGRAPHY  
dc.subject
CINEMA CLUBS  
dc.subject.classification
Estudios sobre Cine, Radio y Televisión  
dc.subject.classification
Arte  
dc.subject.classification
HUMANIDADES  
dc.title
A Gaze Turned Towards Europe: Modernity and Tradition in the Work of Horacio Coppola  
dc.type
info:eu-repo/semantics/publishedVersion  
dc.type
info:eu-repo/semantics/bookPart  
dc.type
info:ar-repo/semantics/parte de libro  
dc.date.updated
2020-10-20T18:12:31Z  
dc.journal.pagination
180-210  
dc.journal.pais
Estados Unidos  
dc.description.fil
Fil: Cuarterolo, Andrea Laura. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Historia del Arte Argentino y Latinoamericano; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina  
dc.conicet.paginas
360  
dc.source.titulo
Cosmopolitan Film Cultures in Latin America, 1896-1960