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dc.contributor.author
Giunta, Andrea Graciela
dc.contributor.other
Enwezor, Okwui
dc.contributor.other
Siegel, Katy
dc.contributor.other
Wilmer, Ulrich
dc.date.available
2020-08-28T14:35:14Z
dc.date.issued
2016
dc.identifier.citation
Giunta, Andrea Graciela; Simultaneous Abstractions and Post War in Latin American Art; Prestel; 2016; 485-489
dc.identifier.isbn
978-3-7913-5584-9
dc.identifier.uri
http://hdl.handle.net/11336/112615
dc.description.abstract
The article proposes the analysis of Latin American abstraction not from a peripheral point of view --as usually Latin American Avant-Garde movements are analyze-- but considering the simultaneous process that considers Post World War II as a historical mark that created in different parts of the world (including Latin America) the perception of a historical beginning. From that perspective, avant-gardes were not derivative, but inaugural of new poetics only understandable from local and situated positions. The essay was published both in English and German.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Prestel
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
Arte
dc.subject
Abstracto
dc.subject
Post Guerra
dc.subject
America Latina
dc.subject.classification
Arte, Historia del Arte
dc.subject.classification
Arte
dc.subject.classification
HUMANIDADES
dc.title
Simultaneous Abstractions and Post War in Latin American Art
dc.type
info:eu-repo/semantics/publishedVersion
dc.type
info:eu-repo/semantics/bookPart
dc.type
info:ar-repo/semantics/parte de libro
dc.date.updated
2020-08-25T15:22:06Z
dc.journal.pagination
485-489
dc.journal.pais
Alemania
dc.journal.ciudad
Munich
dc.description.fil
Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
dc.conicet.paginas
800
dc.source.titulo
Postwar: Art Between the Pacific and the Atlantic, 1945-1965
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