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dc.contributor.author
Montes, Maria de Los Angeles
dc.date.available
2020-04-27T19:37:00Z
dc.date.issued
2014-01
dc.identifier.citation
Montes, Maria de Los Angeles; Tango, senses and sensuality; Fundación Ocula; Ocula; 15; 1-2014; 1-18
dc.identifier.uri
http://hdl.handle.net/11336/103686
dc.description.abstract
One of the most important contributions of the Peircean paradigm to semiotics consists in its opening the sign to development and modification. Sense, meaning, is no longer a static and fixed property. The Peircean paradigm allows us to wonder about how signs are interpreted, how they make sense in actual reception practices.The purpose of this paper is to address the problem of the relationship between appropriation practices (Montes, 2011) and significance processes from the analysis of an empirical case, observing how signs of sensuality are produced in the ballroom tango dance.Tango has earned international reputation mainly as a sensuality dance thanks to its spectacularization and subsequent mediatization. However, as I expect to demonstrate, at the moment of reception, people put those discourses in interaction with specific appropriation practices that shape very special interpretive habits.I will address the issue from an empirical investigation, especially focused on the production of interpretants (emotional, energetic, and logical), that is to say, looking back to the sign reception from the body to the mind.From a corpus of 25 focused interviews with people who got to know tango through mass media but that afterwards learnt to dance it as a social dance, it is my intention to show what sensuality means to them today, and how that current practice interacts with other external and previous discourses to produce interpretive habits. Finally, I wish to offer a theoretical reflection about the relationship between these three types of interpretants, their interaction with the discourse of the mass media and the place corporality has in the reception processes.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Fundación Ocula
dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
MEANING
dc.subject
INTERPRETATION
dc.subject
RECEPTION
dc.subject
SENSUALITY
dc.subject.classification
Otras Comunicación y Medios
dc.subject.classification
Comunicación y Medios
dc.subject.classification
CIENCIAS SOCIALES
dc.title
Tango, senses and sensuality
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2020-03-12T18:58:44Z
dc.identifier.eissn
1724-7810
dc.journal.volume
15
dc.journal.pagination
1-18
dc.journal.pais
Italia
dc.journal.ciudad
Bologna
dc.description.fil
Fil: Montes, Maria de Los Angeles. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones María Saleme Burnichón; Argentina
dc.journal.title
Ocula
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/http://dx.doi.org/10.12977/ocula36
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.ocula.it/metadata.php?id=367
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