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dc.contributor.author
Piedras, Pablo
dc.date.available
2023-08-02T17:50:40Z
dc.date.issued
2022-12
dc.identifier.citation
Piedras, Pablo; The Political Violence of the 1970s in Recent Argentinian Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018); Taylor & Francis; Journal of Latin American Cultural Studies; 31; 3; 12-2022; 411-433
dc.identifier.issn
1356-9325
dc.identifier.uri
http://hdl.handle.net/11336/206616
dc.description.abstract
There is a renewed momentum in twenty-first-century Argentine film to represent the 1970s in productions that, in one way or another, exhume the alliance between auteur and commercial cinemas, developed during the restoration of democracy in 1983, in order to think “differently” about the ‘70s or to recover the ‘70s of “the common people”. This essay sets out to examine the particular way political violence is expressed in the film Rojo [Red] through mise-en-scène choices associated with the aesthetics of certain popular cinemas of the 1970s and with the central role of romantic ballads during the period depicted. Attention to the use of romantic song allows us to understand the way the work constructs specific affective and cognitive appeals between the figurative diegetic universe and the spectators’ cultural memory, and to suggest that it is precisely in the territory of the family that a type of violence is engendered that would later be replicated in other social structures.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Taylor & Francis
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.subject
1970S
dc.subject
AFFECTS
dc.subject
CONTEMPORARY ARGENTINE CINEMA
dc.subject
POPULAR SONG
dc.subject.classification
Estudios sobre Cine, Radio y Televisión
dc.subject.classification
Arte
dc.subject.classification
HUMANIDADES
dc.title
The Political Violence of the 1970s in Recent Argentinian Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018)
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2023-08-02T10:52:38Z
dc.journal.volume
31
dc.journal.number
3
dc.journal.pagination
411-433
dc.journal.pais
Reino Unido
dc.journal.ciudad
Londres
dc.description.fil
Fil: Piedras, Pablo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Artes del Espectáculo "Dr. Raúl H. Castagnino"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
dc.journal.title
Journal of Latin American Cultural Studies
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1080/13569325.2022.2144169
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1080/13569325.2022.2144169
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