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dc.contributor.author
Piedras, Pablo  
dc.date.available
2023-08-02T17:50:40Z  
dc.date.issued
2022-12  
dc.identifier.citation
Piedras, Pablo; The Political Violence of the 1970s in Recent Argentinian Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018); Taylor & Francis; Journal of Latin American Cultural Studies; 31; 3; 12-2022; 411-433  
dc.identifier.issn
1356-9325  
dc.identifier.uri
http://hdl.handle.net/11336/206616  
dc.description.abstract
There is a renewed momentum in twenty-first-century Argentine film to represent the 1970s in productions that, in one way or another, exhume the alliance between auteur and commercial cinemas, developed during the restoration of democracy in 1983, in order to think “differently” about the ‘70s or to recover the ‘70s of “the common people”. This essay sets out to examine the particular way political violence is expressed in the film Rojo [Red] through mise-en-scène choices associated with the aesthetics of certain popular cinemas of the 1970s and with the central role of romantic ballads during the period depicted. Attention to the use of romantic song allows us to understand the way the work constructs specific affective and cognitive appeals between the figurative diegetic universe and the spectators’ cultural memory, and to suggest that it is precisely in the territory of the family that a type of violence is engendered that would later be replicated in other social structures.  
dc.format
application/pdf  
dc.language.iso
eng  
dc.publisher
Taylor & Francis  
dc.rights
info:eu-repo/semantics/restrictedAccess  
dc.rights.uri
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/  
dc.subject
1970S  
dc.subject
AFFECTS  
dc.subject
CONTEMPORARY ARGENTINE CINEMA  
dc.subject
POPULAR SONG  
dc.subject.classification
Estudios sobre Cine, Radio y Televisión  
dc.subject.classification
Arte  
dc.subject.classification
HUMANIDADES  
dc.title
The Political Violence of the 1970s in Recent Argentinian Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018)  
dc.type
info:eu-repo/semantics/article  
dc.type
info:ar-repo/semantics/artículo  
dc.type
info:eu-repo/semantics/publishedVersion  
dc.date.updated
2023-08-02T10:52:38Z  
dc.journal.volume
31  
dc.journal.number
3  
dc.journal.pagination
411-433  
dc.journal.pais
Reino Unido  
dc.journal.ciudad
Londres  
dc.description.fil
Fil: Piedras, Pablo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Artes del Espectáculo "Dr. Raúl H. Castagnino"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina  
dc.journal.title
Journal of Latin American Cultural Studies  
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1080/13569325.2022.2144169  
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1080/13569325.2022.2144169