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dc.contributor.author
Carden, Natalia Marina
dc.contributor.author
Miotti, Laura Lucia
dc.date.available
2023-08-22T12:20:19Z
dc.date.issued
2020-04
dc.identifier.citation
Carden, Natalia Marina; Miotti, Laura Lucia; Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology; Academic Press Ltd - Elsevier Science Ltd; Journal of Archaeological Science; 30; 102265; 4-2020; 1-16
dc.identifier.issn
0305-4403
dc.identifier.uri
http://hdl.handle.net/11336/208846
dc.description.abstract
This paper aims to link the production of rock paintings in Los Toldos (Argentina) to the human use of the locality in the context of the long term process of the peopling of Patagonia. The study is centered in the construction of a rock art painting sequence from the analysis of superimpositions in Cueva 2 and Cueva 3 sites. Rock art panels were considered as cumulative palimpsests and analyzed through the use of a Harris matrix. Eight painting episodes could be distinguished in Cueva 2, which were related to five painting episodes detected in Cueva 3. The temporal relationships of the different painting episodes respect to a series of natural imprints in the rock supports provided elements for the hypothetical estimation of a coarse grained temporal framework. The first painting episode is underrepresented due to its state of preservation and position in the base of the sequence. Together with the second episode, it is associated to the earliest human occupations of the Pleistocene/Holocene transition. The third, fourth and fifth painting episodes are the most intense and relate to the most intensive human occupations of the middle Holocene. The late Holocene episodes are represented by fewer diverse motifs in Cueva 2. The results of our analysis constitute the baseline from which future compositional analyses need to be performed in order to evaluate the possibility of dating rock art by chronometric methods.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Academic Press Ltd - Elsevier Science Ltd
dc.rights
info:eu-repo/semantics/restrictedAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
dc.subject
ROCK PAINTINGS
dc.subject
HARRIS MATRIX
dc.subject
HUNTER-GATHERERS
dc.subject
PEOPLING PROCESS
dc.subject.classification
Arqueología
dc.subject.classification
Historia y Arqueología
dc.subject.classification
HUMANIDADES
dc.title
Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2023-08-15T23:11:03Z
dc.identifier.eissn
2352-409X
dc.journal.volume
30
dc.journal.number
102265
dc.journal.pagination
1-16
dc.journal.pais
Países Bajos
dc.journal.ciudad
Amsterdam
dc.description.fil
Fil: Carden, Natalia Marina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Tandil. Investigaciones Arqueológicas y Paleontológicas del Cuaternario Pampeano. Universidad Nacional del Centro de la Provincia de Buenos Aires. Investigaciones Arqueológicas y Paleontológicas del Cuaternario Pampeano; Argentina
dc.description.fil
Fil: Miotti, Laura Lucia. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. División Arqueología; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina
dc.journal.title
Journal of Archaeological Science
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/url/https://www.sciencedirect.com/science/article/pii/S2352409X20300560
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1016/j.jasrep.2020.102265
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