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dc.contributor.author
Dal Fovo, Alicia
dc.contributor.author
Striova, Jana
dc.contributor.author
Pampaloni, Enrico
dc.contributor.author
Fedeli, Ana María
dc.contributor.author
Morita, María Mercedes
dc.contributor.author
Amaya Robayo, Dafne Cecilia
dc.contributor.author
Grazzi, Francesco
dc.contributor.author
Cimò, Marta
dc.contributor.author
Cirrincione, Claudia
dc.contributor.author
Fontana, Raffaella
dc.date.available
2022-12-12T13:37:00Z
dc.date.issued
2019-11
dc.identifier.citation
Dal Fovo, Alicia; Striova, Jana; Pampaloni, Enrico; Fedeli, Ana María; Morita, María Mercedes; et al.; Rubens' painting as inspiration of a later tapestry: non-invasive analyses provide insight into artworks history.; Elsevier Science; Microchemical Journal; 153; 11-2019; 1-14
dc.identifier.issn
0026-265X
dc.identifier.uri
http://hdl.handle.net/11336/180725
dc.description.abstract
The 17th century painting Madonna della Cesta by Rubens and its presumed textile reproduction created by Févère for the House of Medici were analysed in comparison. A number of non-invasive optical techniques were applied with the aim to identify similarities and differences between tapestry and painting, in order to shed light on a possible link between their respective authors. The use of a multi-analytical approach proved effective for the acquisition of iconographic, morphological, structural, and compositional information for a comprehensive characterization of the two artworks. While serving as relevant support for documentation and conservation purposes, data so obtained also provide evidence of the uncanny resemblance between the two artworks, and specifically suggest the use by Févère of the same large-scale preparatory drawing (carton) realized by Rubens for his oil painting.
dc.format
application/pdf
dc.language.iso
eng
dc.publisher
Elsevier Science
dc.rights
info:eu-repo/semantics/openAccess
dc.rights.uri
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
dc.subject
3D ANALYSIS
dc.subject
NEAR INFRARED REFLECTOGRAPHY
dc.subject
PAINTING
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RAMAN SPECTROSCOPY
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SPECTRAL CORRELATION MAPPING
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TAPESTRY
dc.subject.classification
Física Atómica, Molecular y Química
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Ciencias Físicas
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CIENCIAS NATURALES Y EXACTAS
dc.title
Rubens' painting as inspiration of a later tapestry: non-invasive analyses provide insight into artworks history.
dc.type
info:eu-repo/semantics/article
dc.type
info:ar-repo/semantics/artículo
dc.type
info:eu-repo/semantics/publishedVersion
dc.date.updated
2022-10-27T10:19:52Z
dc.journal.volume
153
dc.journal.pagination
1-14
dc.journal.pais
Países Bajos
dc.journal.ciudad
Amsterdam
dc.description.fil
Fil: Dal Fovo, Alicia. No especifíca;
dc.description.fil
Fil: Striova, Jana. No especifíca;
dc.description.fil
Fil: Pampaloni, Enrico. No especifíca;
dc.description.fil
Fil: Fedeli, Ana María. Università della Calabria; Italia
dc.description.fil
Fil: Morita, María Mercedes. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Centro de Investigaciones Ópticas. Provincia de Buenos Aires. Gobernación. Comisión de Investigaciones Científicas. Centro de Investigaciones Ópticas. Universidad Nacional de La Plata. Centro de Investigaciones Ópticas; Argentina
dc.description.fil
Fil: Amaya Robayo, Dafne Cecilia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata. Centro de Investigaciones Ópticas. Provincia de Buenos Aires. Gobernación. Comisión de Investigaciones Científicas. Centro de Investigaciones Ópticas. Universidad Nacional de La Plata. Centro de Investigaciones Ópticas; Argentina
dc.description.fil
Fil: Grazzi, Francesco. Centre National de la Recherche Scientifique; Francia
dc.description.fil
Fil: Cimò, Marta. No especifíca;
dc.description.fil
Fil: Cirrincione, Claudia. No especifíca;
dc.description.fil
Fil: Fontana, Raffaella. No especifíca;
dc.journal.title
Microchemical Journal
dc.relation.alternativeid
info:eu-repo/semantics/altIdentifier/doi/https://doi.org/10.1016/j.microc.2019.104472
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